Object details
Object number
S.G.Sar.1.1.2.23
Creator(s)
James McNeill Whistler
(Lowell, Massachusetts, 1834 - 1903, London, England)
Title
Second Venice Set: Nocturne: Furnace
Date
1879-1880
Medium
Etching and drypoint printed on laid paper
State
VII/XII
Dimensions
16.7 x 23 cm (6 9/16 x 9 1/16 in.)
Signatures, inscriptions, and markings
Signed in etching: Whistler's butterfly signature
Inscribed in pencil (on tab): Whistler's butterfly signature [dated 1886]
Inscribed in pencil (on tab): "imp." [hand of Whistler]
Provenance
Purchased by Messrs Dowdeswell and Alphonse Wyatt Thibaudeau (1840-1892), print dealer and collector, from the artist by 26 February 1887 for £0.4.4.
Purchased by the art dealers H. Wunderlich & Co., New York from Alphonse Wyatt Thibaudeau for £52.10.0 in May 1888 through the print dealer Gustave Lauser (b. 1841), stock no. 14359. (as part of an album of "The Second Venice Set")
Purchased by Isabella Stewart Gardner from H. Wunderlich & Co., New York on 11 April 1890 for $750. (as part of "Whistler's two sets of Venice etchings")
Commentary
Isabella Stewart Gardner kept meticulous records of many of her acquisitions. In keeping with this legacy, object information is continually being reviewed, updated, and enriched in order to give greater access to the collection.
Bibliography
The Fine Art Society. Mr. Whistler's Etchings (London, 1883), no. 44.
Frederick Wedmore. Whistler's Etchings: a Study and a Catalogue (London, 1886), p. 76, no. 183.
James McNeill Whistler. The Gentle Art of Making Enemies (London, 1890), p. 102.
Howard Mansfield. A Descriptive Catalogue of the Etchings and Dry-Points of James Abbott McNeill Whistler (Chicago, 1909), pp. 148-49, no. 210.
Edward G. Kennedy. The Etched Work of Whistler (New York, 1910), p. 95, no. 213.
P. & D. Colnaghi & Co. An Exhibition of Etchings, Dry Points & Lithographs by James McNeill Whistler (London, 16 November - 10 December 1971). pp. 29-30, no. 97.
Katharine A. Lochnan. The Etchings of James McNeill Whistler. Exh. cat. (New York: The Metropolitan Museum of Art, 1984; Toronto: The Art Gallery of Ontario, 1985), pp. 191, 193, 232, 281, no. 214.
Otto Henry Bacher. "With Whistler in Venice" (New York, 1908), in Robin Spencer (ed.). Whistler: A Retrospective (New York, 1989), pp. 168-69, ill.
Carole McNamara and John Siewert. Whistler: Prosaic Views, Poetic Vision. Exh. cat. (Ann Arbor: University of Michigan Museum of Art, 1996), pp. 116-17, no. 47.
Martha Tedeschi and Britt Salvesen. Songs on Stone: James McNeill Whistler and the Art of Lithography. Exh. cat. (Chicago: Art Institute of Chicago, 1998; Ottawa: National Gallery of Canada, 1999), pp. 115-16, no. 186, fig. 165.
Alastair Grieve. Whistler's Venice (New Haven, 2000), p. 176, fig. 228.
Margaret F. MacDonald. Palaces in the Night: Whistler in Venice (Berkeley, 2001), pp. 71, 78, 120, 124-26, pl. 127, 128.
Margaret F. MacDonald et al. "Nocturne: Furnace." James McNeill Whistler: The Etchings, a catalogue raisonné (University of Glasgow, 2012), no. 208, accessed 1 June 2016. http://etchings.arts.gla.ac.uk/catalogue/
Gallery
Short Gallery
Rights and reproductions
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