Object details
Object number
S.G.Sar.1.1.1.2
Creator(s)
James McNeill Whistler
(Lowell, Massachusetts, 1834 - 1903, London, England)
Title
First Venice Set: The Two Doorways
Date
1880
Medium
Etching and drypoint printed on laid paper
State
VI/XIII
Dimensions
20.1 x 29 cm (7 15/16 x 11 7/16 in.)
Signatures, inscriptions, and markings
Signed (on tab): Whistler's butterfly signature [dated 1886]
Inscribed (on tab): "imp." [hand of Whistler]
Provenance
Possibly in the collection of the surgeon and etcher Francis Seymour Haden (1818-1910), by 1890.
Purchased by Isabella Stewart Gardner from the art dealers H. Wunderlich & Co., New York on 11 April 1890 for $750. (as part of "Whistler's two sets of Venice etchings")
Commentary
Isabella Stewart Gardner kept meticulous records of many of her acquisitions. In keeping with this legacy, object information is continually being reviewed, updated, and enriched in order to give greater access to the collection.
Bibliography
The Fine Art Society. Mr. Whistler's Etchings (London, 1883), no. 28.
Frederick Wedmore. Whistler's Etchings: a Study and a Catalogue (London, 1886), p. 69, no. 158.
James McNeill Whistler. The Gentle Art of Making Enemies (London, 1890), p. 99.
Howard Mansfield. A Descriptive Catalogue of the Etchings and Dry-Points of James Abbott McNeill Whistler (Chicago, 1909), p. 115, no. 180.
Edward G. Kennedy. The Etched Work of Whistler (New York, 1910), p. 76, no. 193.
P. & D. Colnaghi & Co. An Exhibition of Etchings, Dry Points & Lithographs by James McNeill Whistler (London, 16 November - 10 December 1971). p. 26, no. 87, pl. XXIV.
Katharine A. Lochnan. The Etchings of James McNeill Whistler. Exh. cat. (New York: The Metropolitan Museum of Art, 1984; Toronto: The Art Gallery of Ontario, 1985), pp. 182, 191, 214, 260, 281, no. 204.
Pierre Cabanne. Whistler (New York, 1985), p. 74, ill.
Otto Henry Bacher. "With Whistler in Venice" (New York, 1908), in Robin Spencer (ed.). Whistler: A Retrospective (New York, 1989), pp. 168-69, ill.
Margaret F. MacDonald. James McNeill Whistler: Drawings, Pastels and Watercolours, a Catalogue Raisonné (New Haven, 1995), pp. 314-16, nos. 36r, 37.
Carole McNamara and John Siewert. Whistler: Prosaic Views, Poetic Vision. Exh. cat. (Ann Arbor: University of Michigan Museum of Art, 1996), pp. 106-10, no. 42.
Alastair Grieve. Whistler's Venice (New Haven, 2000), pp. 91, 189, fig 101.
Margaret F. MacDonald. Palaces in the Night: Whistler in Venice (Berkeley, 2001), pp. 84, 88, 94, 128, 130, pl. 131.
Elizabeth Anne McCauley et al. Gondola Days: Isabella Stewart Gardner and the Palazzo Barbaro Circle. Exh. cat. (Boston: Isabella Stewart Gardner Museum; Venice: Biblioteca Nazionale Marciana, 2004), pp. 266-67, fig. 218.
Catherine E. Hutchina (ed.). Fleeting Impressions: Prints by James McNeill Whistler. Exh. Cat. (Montgomery: Montgomery Museum of Fine Arts, 2006), pp. 62-63, no. 15.
Margaret F. MacDonald et al. "The Two Doorways." James McNeill Whistler: The Etchings, a catalogue raisonné (University of Glasgow, 2012), no. 221, accessed 12 May 2016. http://etchings.arts.gla.ac.uk/catalogue/
Gallery
Short Gallery
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