Gardner's First Artist-in-Residence
John Singer Sargent, a close friend of Isabella's, was the first artist to live and work at the Museum. He found creative inspiration from the masterpieces within its walls.
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Patron
Isabella Stewart Gardner supported contemporary artists throughout her lifetime. She met celebrated portrait painter John Singer Sargent in London through their mutual friend, author Henry James, in 1886. Two years later, he painted her portrait. Over the course of their 38-year friendship, Isabella acquired 61 of Sargent's paintings, drawings, watercolors, and sculptural reliefs.
Artist
Sargent painted a variety of subjects, but is best known for his portraits of Gilded Age robber barons and society ladies. He lived and worked in Paris and London, but made several trips to Boston and New York for American commissions. He made one such trip in 1903, shortly after Isabella Stewart Gardner opened her new museum, Fenway Court, to the public.
Residency
In April 1903, Sargent accepted Isabella's invitation to stay at Fenway Court. During his month-long residency, Sargent lived in a small, first-floor apartment adjacent to the Courtyard (now the MacKnight Room) and set up a studio in the Gothic Room on the third floor.
... I again seize the typewriter to tell you that my thoughts are often at the Palazzo, sometimes in the clear-sounding court, sometimes in the boudoir, or in the Gothic Room. They follow you about and have taken permanent abode at Fenway Court—and are very happy to be there.
— John Singer Sargent to Isabella Stewart Gardner
Gothic Room
Sargent painted five portraits in the Museum's galleries, fulfilling Isabella's hope that her collection be a source of creative inspiration. The most celebrated of these paintings is the double portrait of Isabella's dear friend, the poet Gretchen Osgood Warren, and her daughter Rachel.
Laughter
The happy sitting was captured in several candid photographs taken by John Templeman Coolidge, an artist and friend of Isabella's. They show Sargent in a whirl of activity with brush and palette in hand, and a cigarette in his mouth. Delighted in their surroundings, one photograph captures Gretchen and Rachel laughing as Sargent turns to smile at the camera. Another shows Sargent's portrait of Isabella's friend and composer Charles Martin Loeffler resting on the floor, which Isabella later installed in the Yellow Room gallery.
Today
After John Singer Sargent's stay at the Museum, Isabella continued to welcome some of the most creative painters, performers, scholars, and writers of her time to stay at Fenway Court. Today, the Museum honors this legacy by inviting artists to live, think, and work at the Museum each year. Just as Isabella felt that contemporary artists could learn from the old masters she collected, our Artists-in-Residence and Neighborhood Salon Luminaries help our curators and current audiences see her collection with fresh eyes.